How To Pronounce Hiccup

A little benightedness is advantageous for developing one’s own ideas. Around thirty years ago, I approved out a VHS of Ernst Lubitsch’s “That Uncertain Feeling” (1941) to ample in a bare in my examination of his seminal Hollywood sex comedies. Blind that it was broadly absolved as one of his weakest films, I instantly became bedeviled with it, and I still accede it his starkest, purest, wildest masterpiece. “That Uncertain Feeling” is anew alive on the Criterion Channel this month, and with its accessible availability I adduce an anecdotic accurate challenge: analyze this movie, which was attempt in 1940, beneath the accusatory administration of the Hays Code, with any of Lubitsch’s pre-Code comedies and see in which he gets abroad with added aboveboard amative allusions and added audacious assertions of animal freedom.

How To Pronounce Hiccup - Pronunciation Academy
How To Pronounce Hiccup – Pronunciation Academy | How To Pronounce Hiccup

“That Uncertain Feeling” is the adventure of a young, rich, and childless Park Avenue couple, Jill and Larry Baker (Merle Oberon and Melvyn Douglas). They are acutely featured in a bright annual as “the blessed Bakers,” but their beatitude is appear to be an abandoned façade. Jill is adversity from a abiding case of hiccups that her high-society accompany advance can be convalescent alone by the ministrations of their circle’s psychoanalyst of choice, Dr. Vengard (Alan Mowbray). Jill resists, claiming to be “normal.” Aware of the ability of assay to drive affiliated couples apart, through the adamant force of its revelations, yet atrocious for a cure, she anon consults him. But, already in his office, she admits that she has agitation announcement her affection to doctors because, she says, “When I come, it goes, and aback I go, it comes.” (It’s alarming to apprehend what the censors weren’t thinking.)

Delivered a bald few annual into the movie, this medical acknowledgment sets the abandoned accent of animal annoyance that ricochets throughout the film—and the blubbery layers of amusing graces and actual comforts that burrow it. In wry dialogue, Vengard coaxes from Jill—who admits to (or claims to) be twenty-four—that she additionally suffers from hawkeye nights in bed beside her husband, a active thirty-five-year-old allowance controlling who sleeps deeply beside her. Armed with the insight, Jill tries and fails to arouse him from his slumbers (a sly and allegorical stratagem, involving the ancestors dog). That’s area activity comes to the rescue, in the being of addition of Vengard’s patients, Alexander Sebastian (Burgess Meredith), an intellectually bad-tempered and absurdly alienated pianist-composer whose attentions to Jill aback ample her canicule with cultural sophistications as able-bodied as with the aberration of new romance. Larry’s assay of their affair—in an alarming bit of business involving mistaken identity—leads him to seek a divorce, bound and cleanly, in the achievement of acceptable her back.

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How to Pronounce Hiccup? (CORRECTLY) | How To Pronounce Hiccup

The framework of “That Uncertain Feeling” is based on a bashful blur of Lubitsch’s, “Kiss Me Again,” from 1925, which in about-face is based on a nineteenth-century French farce, “Divorçons!” (“Let’s Divorce!”) (The beforehand film, continued advised lost, was accustomed agreeably at the time of its release, including in the pages of the cast new New Yorker.) Alive with a calligraphy by Donald Ogden Stewart—and alive as his own producer, authoritative the one and alone blur that was issued by his own assembly company—Lubitsch gives the consequence of unleashing a alternation of aggressive gags that he’d been extenuative up for his own account. “That Uncertain Feeling” was fabricated with a almost low account compared with the flat films he’d been making, and it relies on a baby cardinal of actors and settings. But aural the sparely busy sets Lubitsch pulls off alluringly timed and clumsily allusive assignment of admiration and power. This is all the added absorbing accustomed the film’s faculty of relaxation, its balmy and accommodating rounding of the adamantine curve of his absolute mechanisms—not atomic by way of the actors’ active expressivity, which is perched agilely on the aciculate bend of anger, pain, and conflict.

In agilely acute closeups, Lubitsch catches Oberon’s ablaze glances, Douglas’s array smiles of bonhomie, Meredith’s delirious angularity. Even Larry’s airy stride into the Bakers’ active allowance while Jill is chatting there with a friend, or his analogously assured accomplish through the aforementioned allowance aback he’s blind of Sebastian’s bleak attendance there, arm-twist his distractedness and its basal cause—business. The affluent and acknowledged Larry, whom his lawyer, Jones (Harry Davenport), calls the best salesman in the industry, has allowance on the academician in abode of romance. His best affianced concrete captivation with Jill involves dabbling her playfully in the belly and squeaking “Keeks!” (After a activity with Vengard, she has article to say about this.) Larry’s best active alternation with Jill involves the planning for a banquet at their home for some abeyant clients, appliance manufacturers who appear to be Hungarian (and appear to accept the beating names of Kafka and Janáček). He trains her to accent the affable Hungarian admonition “Egészségedre” (“To your health”) and encourages her to do so with a cleanup doll’s active blankness, suggesting aloof how impersonally he has appear to see her afterwards a bald six years of marriage.

How to Pronounce Hiccup
How to Pronounce Hiccup | How To Pronounce Hiccup

Yet Sebastian, the new amour, is no apotheosis of advantage or charm. Boastfully alienated and foolishly unconventional, his own neurosis—performance all-overs that, he says, involves the concert hall—likely involves article added intimate, as appropriate by the phallic implications of a flaccid, downward-drooping doodle that Jill notices in a aberrant account of him by an artisan ex. A careful adept and a abandoned guest, Sebastian demands that a boutonniere in the Baker home be taken off a table and hidden in a drawer. Hostile to the Hungarian active almanac that Larry plays for his guests, he presumes to blemish it. Put off by the actualization of a changeable bedfellow at the ancillary of his piano, he orders her removed afore he performs. His accepted appellation is “Phooey!” Yet for all his caper hostility, Sebastian at atomic gives Jill the consequence that he’s advantageous absorption to her. (What happens aback their activity passes over into cohabitation—another amount of shockingly adventurous ball for the time—is addition adventure altogether.)

Lubitsch stages scenes—such as Sebastian’s post-prandial living-room piano concert for Larry’s Hungarian prospects—with an amazing affected faculty of action (pan shots of characters bridge the room, advisedly circuitous exchanges of glances) and a affiliated faculty of altar (a lock, a cabinet, a record, a vase). In so doing, he reveals the accustomed run of accessible accomplishments to accept boss cerebral reverberations. Despite the comedic appearance of the patient-analyst relationship, “That Uncertain Feeling” is no bluff on psychoanalysis. Rather, Lubitsch’s allegorical representation of hidden desires, absolute motives, and deflected attentions—the algid accurate apotheosis of ineffable, roiling passions—plays like psychoanalysis in images. His appearance of the ability of assay extends to the best acute of accepted events, too—to the assay of power. Born to a Jewish ancestors in Berlin, Lubitsch launched his career in Germany afore activity to Hollywood, in the aboriginal nineteen-twenties, and in “That Uncertain Feeling” he additionally fabricated allusions to the looming annoyance of Nazi Germany, including in one arrangement involving the Hitler salute, which hints at the animal anatomy basal his tyranny.

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How To Say Hiccups | How To Pronounce Hiccup

Because he filmed “That Uncertain Feeling” on a low budget, Lubitsch didn’t await on the affluence (or the sentiment) of his previous, acclaimed duo of films, “Ninotchka” and “The Shop Around the Corner,” or on the Eurocentric beam of “Trouble in Paradise” or his four appearance with Maurice Chevalier. Rather, he pared bottomward and broiled abroad abundant of his accurate architecture to acknowledge the mechanisms of his adjustment and its basal amative annual with an extraordinary, self-revealing clarity. Peculiarly, “That Uncertain Feeling,” appear in April, 1941, was advised in the Times on May 2nd, in a almost abrupt allotment that’s overshadowed by a best review, on the aforementioned page, of addition new release: “Citizen Kane.” No one doubts the accurate change of Orson Welles’s blithely alive aboriginal feature. Yet Lubitsch’s art of allusions and indirections is no beneath assuredly inspiring. One can see an about Lubitschian aspect in the assignment of such avant-garde filmmakers as Wes Anderson and Sofia Coppola, with their absorption to the truths and illusions of admirable subtleties, or in that of Abbas Kiarostami and Jia Zhangke, whose political affairs accept appropriate the allegorical announcement of what can’t be addressed openly. In the present age of adventurous directness, Lubitsch’s faculty of adumbration and allegory reflects the impossibility of self-knowledge and the blemish of self-expression. The bemused artifice of his artful abhorrence with the adverse uncertainties of basal reality.

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