TheatreWhat You Will – A Sea Dog’s TaleSt James Cavalier
Reworking Shakespeare can be absolutely arduous back faced with opposing factions of purists and detractionists – the above ambitious that the achievement break accurate to the aboriginal in script, appearance and dress, while the closing characterization it as passé and ‘too difficult’, clumsy to allure and affix with a avant-garde audience.
Striking the appropriate antithesis can generally be difficult as addition runs the accident of falling into either the allurement of the amazing or actualization rather overdone. What Griffin Theatre Arts, in accord with the Malta Arts Fund at St James Cavalier, accept managed to do, is to booty one of Shakespeare’s admired comedies, Twelfth Night, and auspiciously braid the artifice into another.
As a retelling, aimed at a adolescent audience, the allotment opens not with the comedy at all, but with the actual enticing, if somewhat all-too popular, abstraction of an Elizabethan ship’s aggregation who are badly afraid by a adolescent Will Shakespeare to booty him on as a citizen sailor/writer.
Shakespeare (Chris Galea), acquisitive to acquaintance activity at sea and draw afflatus for his plays and writing, is accustomed on lath and joins in the storytelling of the captain (Phil Coggins) and his aggregation (Sarah Clough and Simone Ellul) as they acquaint him the adventure of the Ambush of Illeria.
What was such fun about these performances is that as they allowable the parts, the aggregation mocked anniversary other, not demography themselves too seriously, by badinage about their backdrop box and developing their own quips and clandestine jokes about their activity at sea. Thus, this comedy aural a comedy dispensed with the added plot-like scenes of Shakespeare’s aboriginal text, anecdotal the artifice to Will and allowable alone the best acute and agreeable of scenes and speeches, consistent in a abridged adaptation of Twelfth Night which was absolutely entertaining.
Twelfth Night lends itself so able-bodied to call because its artifice carries according genitalia of the improbable
What additionally fabricated the allotment added absorbing was its address deck-like set, whose sails served as screens for beheld artisan Alison Shaw’s stop-motion videos and adumbration theatre tableaux, basic allotment of the storytelling action while additionally accumulation elements of Will Buckman’s clear design.
Twelfth Night lends itself so able-bodied to call because its artifice carries according genitalia of the doubtful – with afar twins, a shipwreck, mistaken identities, artful characters, busy tricks and adulation triangles, for the aggregation to blow fun at the artifice and characters, while cautiously authoritative implications about the affected action as they went along.
What anniversary amateur did was a actual accomplished annular of appearance doubling, arena assorted parts, with all arena Maria at some point, in altered accents.
Galea’s Shakespeare and Sir Toby Belch were decidedly fun to watch, with the Bard portrayed as a young, amateur but agog landlubber, and Belch as the uncouth, aweless alcoholic that he was.
Captain Thomas and Malvolio, as interpreted by Coggins were addition two characters whose personalities stood out as both amusing duffers and rather aloof men, while Clough and Ellul’s sailors were hidden, but occasionally arising in their corresponding roles as Viola/Cesario and Olivia.
The cast’s ability and 18-carat fun with the piece, as able-bodied as their liberating use of a added raucous, rolling adaptation of English – which was apparently added astute and abutting to the accentuation of the Elizabethan original, according to linguist David Crystal – fabricated the allotment absolutely enjoyable, in animosity of its falling into added abounding textual achievement in the additional act.
What You Will was acutely under-attended for such a acceptable achievement and was a acceptable barrage pad to acquaint a adolescent admirers to Shakespeare.
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How To Pronounce Twelfth – How To Pronounce Twelfth
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