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Ubah Cristina Ali Farah pictured in Palermo, Sicily – Italy, September 2021

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In our alternation of belletrist from African journalists, Ismail Einashe considers how Somalia’s story-telling attitude has afflicted back the civilian war.

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I afresh met the award-winning biographer Ubah Cristina Ali Farah at a arcane anniversary on the Italian island of Sicily.

She is a affiliate of a scattering of globally acclaimed Somali changeable writers, including Nadifa Mohamed who was afresh shortlisted for the Man Booker Prize for her third atypical the Fortune Men.

For centuries, Somalia has been accepted as the “nation of poets” but this attitude has abundantly been the bottle of men.

It is abnormal for Somali women to be the primary storytellers, yet they are now the ones demography on that crimson in the diaspora.

Nadifa Mohamed has been shortlisted for the Man Booker Prize for The Fortune Men

Ali Farah tells me this is because they accept “more space” alfresco Somalia to accompany their arcane ambitions – absolved as they are from the cultural expectations placed aloft them in a male-dominated society.

And what is more, their abandon to address comes from the actuality that they are award their articulation in colonial languages such as Italian and English that they accept fabricated their own.

Ali Farah was built-in in the 1970s in Verona in Italy to a Somali ancestor and an Italian mother.

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Her ancestor had larboard Somalia to accompany his education, and afresh alternate home to body a new absolute nation, demography his new ancestors with him.

Growing up in Mogadishu, Ali Farah was accomplished in both Somali and Italian.

She was an ardent clairvoyant and agilely kept a account of her accustomed encounters in the Somali capital.

Ubah Cristina Ali Farah grew up in Mogadishu, which bears the scars of a civilian war that has raged back 1991

In 1991, at the age of 18 and with a babyish son, Ali Farah was affected to abscond the ascent abandon as the country descended into civilian warfare, which continues to this day.

She aboriginal alternate to Italy but now lives in Belgium.

Hundreds of bags of Somalis fled – and their adventures aggressive her to address – abnormally about the belief of women.

She says they accept a appropriate “memory” of what happened as they were generally on the frontline of the conflict.

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“My basic questions were: ‘What happens back aggregate you are built-in into has been destroyed? What do you do to basis yourself again? What do you do to survive?'” “, Source: Ubah Cristina Ali Farah, Source description: Novelist, Image: Ubah Cristina Ali Farah

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She wrote, she says, so that Somali women would not be “forgotten”.

“My basic questions were: ‘What happens back aggregate you are built-in into has been destroyed? What do you do to basis yourself again? What do you do to survive?'”

Her aboriginal novel, Little Mother, appear in 2007, centres on two changeable cousins who are afar and eventually acquisition anniversary added in Europe.

On a claimed level, Ali Farah begin that autograph fiction was a way to basis herself afresh in a adopted land.

For centuries Somali was a announced language, alone acceptable a accounting one with a Latin calligraphy in 1972.

This afflicted its abstract – balladry was recited, memorised and anesthetized bottomward the generations.

So novels accept alone absolutely appear into accomplishment in exile, admitting they generally nod to Somalia’s affluent articulate tradition.

In Little Mother there are acoustic layers of accent and tempo, artful the anapestic form.

Ali Farah says it includes three archetypal balladry reworked and absurd through the eyes and sounds of women.

The columnist is in Palermo, Sicily’s capital, to advance her new book Le stazioni della luna (Phases of the Moon).

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Set in the 1950s back Somalia was beneath a UN Trusteeship, it is about the attempt for ability – and she takes her afflatus from the asperse of the Somali novel, Nuruddin Farah (no relation).

Both Nuruddin and Ali Farah accept a changeable appearance from a drifting accomplishments who escapes to the basic

He wrote From a Crooked Rib in English – it was appear in 1970 to all-embracing acclaim.

It centres on the adventure of Elba, a adolescent changeable pastoralist who escapes an abiding marriage, active abroad to Mogadishu area she finds herself afresh baffled by men.

Ali Farah’s names her basic appearance afterwards Elba. “It’s a accolade to Nuruddin,” she tells me.

But her Elba escapes to a added emancipated apple with avant-garde possibilities for Somali women.

“Literature is a chat with added texts and novels,” Ali Farah explains – a chat amid the accomplished and present.

She additionally explores conversations amid the men and women through her work, article that is all too generally acutely missing in Somali society.

Her success – and that of her arcane aeon – has fabricated it bright that Somali women will no best be silenced.

Follow us on Twitter @BBCAfrica, on Facebook at BBC Africa or on Instagram at bbcafrica

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A blended angel assuming the BBC Africa logo and a man account on his smartphone.

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